Before joining the Department of Literature, Film and Theatre Studies at Essex in 2016, Mary was a Lecturer in Theatre Theory and Contemporary Practice at Goldsmiths in the Theatre and Performance Department (2015-2016). In 2012-2014, she was a post-doctoral fellow at Nanyang Technological University – Singapore in the School of Humanities and Social Sciences. For several years, she has been a Research Associate at Soas, University of London where she lectured in Chinese Theatre and Cinema.
In addition to theatre, she has a strong expertise in Literature (World, Comparative Literature and Women’s writing): she taught Women’s Writing and Gender at Goldsmiths, University of London in the department of English and Comparative Literature. Her monograph Gao Xingjian’s Post-Exile Plays: Transnationalism and Postdramatic Theatre is published with Bloomsbury Methuen Drama and has attracted good reviews. She has co-edited and contributed to Transnational Chinese Cinemas: Embodiment, Corporeality, Desire and the Ethics of Failure (Bridge21, 2015).
Mary is also a theatre and book critic: she has contributed to Times Literary Supplement, Art Desk and Theatre Voice and regularly writes for British Theatre Guide and The Conversation.